Feature Articles
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April Issue 2006

Robert Lange Studios Fine Art Gallery in Charleston, SC, Features Works by Robert Lange and John Duckworth

Trompe L'Oeil, the ancient art of creating the illusion of 3-dimensional reality, gets turned on its ear this April, as Robert Lange Studios Fine Art Gallery in Charleston, SC, debuts a show aimed at challenging the boundaries of perception and art. New works by Robert Lange, painted using ancient techniques to create illusions of reality, will hang side-by-side with new works by John Duckworth, who has developed a unique technique to render artwork "painted" with a camera. The show, Trompe L'Oeil: Illusions in Art A Dialogue About Art and Reality, will be on view from Apr. 3 - 30, 2006.

The dichotomy between Lange's hyper-realist paintings that appear to be photographs and Duckworth's abstract photographs that appear to be paintings lays the groundwork for the Trompe L'Oeil exhibit.

"With the Trompe L'Oeil show, we're challenging preconceived notions of paintings and photographs," says Megan Sobchuck, Gallery Director. "These are paintings that mimic reality - many that look like actual photographs taped to the canvas - and works that are 'painted' with a camera."

A heightened form of illusionism, the Trompe L'Oeil tradition stretches back to 15th Century Italy, when perspective was first developed ­ and further advanced with new developments in optics in 17th Century Netherlands. During the Renaissance, new knowledge and developments in oil paints enabled artists to render objects and spaces with astonishing accuracy ­ thus, "fooling" the eye.

Lange's Trompe L'Oeil paintings represent a classic interpretation of the tradition. Pairing his knowledge of perspective and mathematics (he uses composition ratios like fifths, sevenths and ninths as opposed to halves and thirds) with his signature palette of stark lights and darks, Lange's series is startling in its realism. Seemingly ordinary items like photographs, paintbrushes, knives and other objects are infused with new meaning as they become the sole focal point in each piece.

The reverse reality of new works by John Duckworth will offer an interesting juxtaposition. Using techniques he's developed over the last several years, Duckworth "paints" his works using a camera. The result is colorful and richly textured works on canvas that appear to have been painted with oils. This exhibit offers the perfect forum for works from Duckworth's Landscape Abstracts series, as well as his newly released Urban Cityscapes.

This work blurs the lines between photography and painting, between realism and abstract art, between traditional and modern aesthetics ­ and begs the question "is this a painting rendered with a camera or are these photographs?"

"These works are all about perception and reality ­ and what constitutes a painting or a photograph," says Lange.  "We expect these contrasting works will spark a dialogue about aesthetic versus process, art and reality, and painting and photography."

Duckworth's latest works are abstract impressionist renderings of the landscape and urban areas, blending his passion for painting, photography and color. These limited edition prints are available on paper and canvas ­ in series or as standalone works of artwork. Over the past five years, Duckworth's paintings and photographs have been sold to collectors in New York, Charlotte, Los Angeles, Seattle, Atlanta, Charleston, and Canada.

Lange is a young contemporary painter whose work resides in the small genre of hyperrealism. Highlighting bold colors against a stark palette of whites and blacks, Lange achieves an extreme sense of light. His paintings capture the transitory moments of life, the graceful yet temporary interplay of shadow and light within a single frame of time.

For more info check our SC Commercial Gallery listings, call the gallery at 843/805-8052 or at (www.robertlangestudios.com).

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